If you’ve spent some time training your ear, then you should be able to easily hear when the tune is in a major tonality, and when it’s in minor, but let’s talk about this for a second… Now listen to the next 8 bars of the tune and try to do the same – does it sound like it’s in a major key or a minor key, or both? Go ahead and listen to the first 8 bars of the form and try to hear if it’s operating in a major or minor key… In terms of learning the changes, a great place to start with is The Form. Now before we getting into Dexter Gordon’s solo and all the great jazz lines he plays, let’s first talk about the chord changes…

Take a listen to Dexter playing over Blue Bossa and notice how effortless everything seems… In this lesson, we’ll look at 12 Dexter Gordon lines on his solo over Blue Bossa, but these aren’t just any lines – they’re lines that have something noteworthy about them, something different…something you’d never think of… Blue Bossa: The Chord Changes It’s the unique improvisational tactics within his jazz lines. But it’s not just his brilliant sound or laid-back in-the-pocket swing feel that make him great… When you think big, lush, classic tenor saxophone sounds, Dexter Gordon has to be near the top of your list. Today we’ll study a player who exhibits this next-level skill – the one and only Dexter Gordon.

Playing beautiful lines through the changes that connect and flow from one chord to the next and craft an overall story is a challenge no matter what the chord changes are.Īnd playing ideas filled with unique and interesting approaches goes even beyond that, primarily reserved for those who’ve spent years exploring the jazz language. The jazz standard Blue Bossa is often referred to as a beginner jazz tune, but as you quickly find out as you start your journey into jazz, even these so-called “beginner” tunes are not easy to sound great on.

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